Interview - Hugh CORNWELL
Friday 21st November 2011
London
As long as it's not for too long, because I like looking forward now!
AM : You were a student and passed a bachelor's degree in biochemistry,
what led you to become a musician instead of working in the biochemistry field ?
That's a good question. I wasn't very good at the biochemistry, that's
the unfortunate thing. I think if you gonna do a job, even if you enjoy it,
but you're not very good at it, you will never find satisfaction and happiness,
so I decided to try my luck with music instead.
Yeah, I have two elder brothers and one of them had restored a beautiful Spanish guitar,
he renovated it and he played it a little bit, I really liked this guitar but he wouldn't
let me touch it and then he went away to work abroad and as soon as he left I went to see
if he had taken the guitar and he hadn't taken it, so I was able to play it and when he
got back he gave it to me, because he lost interest by then.
AM : The guitar was your first instrument.
Yeah.
AM : I believe it was the bass.
I started to learn to play on Spanish guitar, but then when I joined a band
when I was at school and
Richard Thompson was there, the man from
Fairport Convention, he taught me to play bass because he needed a bass player
so the bass, it's true is my first instrument in a band.
What did that great experience bring me?
AM : Yeah.
Pleasure (laughing) simply!
AM : What are your good memories with the band?
I have many good memories. We created some good songs together, so I always have
fond memories of that time, yeah of course and the songs still speak very
frequently now, you see them in films, you see them on advertising,
people still want to hear the songs.
I think they are busy and I'm busy and you don't really have time to follow
closely what each other are doing, but I was aware that Paul Roberts was singing
for nearly the same amount of time I was there, and then just before he was gonna
be there longer than me, he left. So I thought if only he could have stayed another
six months and then "you" would have been the longest standing Stranglers lead
singer but he didn't, he had to take a walk.
AM : After there were other musicians like
John Ellis and
Baz Warne, do you know these guys ?
He is the new guitarist that's playing the old songs, yeah and the new songs and
singing I think. I've never met him.
Well, hopefully!
AM : And you released albums, how many of them?
How many? I think this next one "Totem & Taboo" will be the ninth maybe but
if you count the couple of others that were small releases, it's probably about ten or eleven now.
AM : The latest one was Hooverdam. (Hugh shows it to the camera)
Yes, Hooverdam.
AM : With Invisible Hands Music in 2008.
That's right.
AM : Which contained, Blueprint, the movie.
A film about the songs and a live performance of the songs in the studio after
we finished the session, and we've been giving it away free on the Internet,
crazy, we give the album away free, but we thought so if people want to buy it,
we have to make a nice package and you get a film when you buy the package.
AM : What is your favourite song on this album?
Oh that's very hard. Well, I like the song, there's a lovely ballad on there called
The Pleasure of Your Company, but I do like Within You or Without You,
I think it really works very well.
New Songs for King Kong
AM : Yeah, it was in 2009.
That was a live album. There's a live Rattus Norvegicus and live Hooverdam from a concert in London.
AM : Is it available exclusively from your website?
http://www.hughcornwell.com
Yes and at concerts as well.
AM : And now, you are going to record a new album.
I am indeed. Next month in December I'm going to Chicago and record with
Steve Albini
who is quite a well-known and respected engineer mixer. He doesn't consider
himself to be a producer which is quite interesting.
AM : Who else will be with you?
Chris Bell who is the drummer on Hooverdam and on Guilty and also on bass would be
Steve Fishman who played bass on Guilty and Beyond Elysian Fields.
So they are back together again on one of my records, which I'm very happy about.
AM : You designed this...
Yeah a shield, Totem & Taboo. I like that! (laughing) it's fine.
Well, I mean a lot of the time I've spent a lot of my writing career pointing
out things that I think needs to be pointed out, sometimes things get ignored
or they get deliberately overseen. I'm attracted to dangerous things, dangerous
women, dangerous people, dangerous songs, dangerous subjects. I don't know what
it is, maybe because I get bored easily. So on this record the songs are especially
about subjects that I think people don't like to discuss. I think things that are
taboo really, it's dangerous to have things you can't talk about because you know
what happens when people don't talk about things, you have world wars, discussion
leads to improvement in relations, so I think that everything needs to be opened
for discussion, so it's called Totem and Taboo. Totem, things that are totemic are
things that are really respected and applauded and Taboo are things that are subjects
that people don't like to discuss. So this album is a collection of songs about these
two very different things. And I've got the title from a book by
Sigmund Freudwho
is a psychoanalyst and he wrote a book called Totem and Taboo and I've got a copy
and I thought that will make a great title for an album, so apologies to Sigmund Freud!..
AM : How many tracks will be on this album?
Ten.
The Pledge Music
page was a means for us to find a way financing and making a
record without the help of a record company because when you bring in a company
you have to give away certain rights and things for the future and we thought it
would be better to see if we could raise the money to make the record with the people
that we're making it for. And so the Pledge campaign is a system whereby people can
join it and order the record and they will get it before anybody else, special things
like signed vinyl copies or they can buy the manuscript for one of my books, which
there is only one, or they could book me to go and play in a concert for them, for
their birthday or something, the band or me acoustic, whatever, and all these different
things and if they sign up for this, then we're making the record, I'm going to be
making video blogs and they will get access to those, I've already started doing some
from playing in America or in Germany, so it's a way. I don't know if it's going to work,
but a lot of people have made records like this recently and it just attracted me and
we've got a charity, Missing People Charity, so a percentage of the money of this would
be going to this charity, which is good.
Yeah we're routinging out and learning the songs, we thought it would be a good
idea to work towards the performance before going to the studio, so we're gonna
play all the songs there, and lots of Stranglers hits for the faithful people.
AM : Maybe it's a good way to nail it in front of the audience before ?
Exactly. We played a couple of them already in front of the audience and it really
makes a difference when you play at concert new songs.
Oh yes, good you've got a copy of this.
AM : Yeah. You did it with Jim Drury.
Yes he is a writer's musician that I got on very well with, we spoke the same language.
I mean the reason I did this was because there was a Stranglers authorised biography
called No Mercy and I know the writer, (David Buckley), he is very good, he has written
books on David Bowie, on Kate Bush and Sparks. But I just felt that however it was
factually very accurate, but it didn't say very much about the music and about the lyrics.
So I thought that it would be a good idea to approach the catalogue that I was involved in,
and just think about each song and how each song was created and in that way remember
things about the history which he hasn't got in his book. I think it's complementary with
the No Mercy book, it's sort of a companion novel and in fact I referred to it for some
specific dates and things because I couldn't remember exactly when things happened,
so immediatly I got up and opened No Mercy and had a look, cause it is all factually
accurate but I didn't think it said much about the songs.
AM : And there are also some pictures, some photos.
Yeah, some rare photos and stuff that I found, yeah it's funny.
Autobiography called A Multitude of Sins.
AM : It was published in 2004 by Harper Collins.
That's right. I mean the Stranglers Song by Song book went down so well,
in fact the chap who commissioned it said why don't you do an autobiography
and I thought I've never really thought of it before and he said I think you
should try, I think it would be an interesting story, so I started to write
something and it seemed to come out okay. So I went for it and found a publisher
that was interested and I told them that I didn't want a ghost writer, do you
know the expression ghost writing in French ? It's when you don't write yourself
but you tell the story to someone and then they are a writer and they write
it for you. I didn't want to do that, and I said to the publisher I'll do this
but I want to write it, I feel like I could possibly write it okay and they agreed,
so I really enjoyed putting that down on paper.
AM : In French a ghost writer is called "un nègre".
Yes.
AM : it's called...
Window on the World published by
Quartet Books, which is this one here
(Hugh shows the book). Yeah, fantastic. I'm very happy for me to get this in print.
This came about because of the autobiography (showing the other book), I enjoyed
writing that so much. The easy thing about that was that the story was already there,
all I had to do is remember the facts, whereas with this it's all made up (laughing)
sort of, so it's a bit more difficult, whereas that took me six months (showing A
Multitude of Sins) this took 6 years!...But it's finally out and it's got some good
reviews on
Amazon and people are getting to know it, I'm doing some book signings
and things and it's available digitally now on a company called Bloomsbury Reader
and it's doing very well on that. I'm quite happy that it came out.
AM : To support your novel, what did you do? You were reading extracts?
To support it, yeah I go around bookshops and I read some pieces and answer
questions and then sign the copies for them, that's what I do.
Yes, I've just finished the second book, there's another one now just finished.
I'm on the third rewrite, and my literary agent is going to try and find a home
for this, next year I suppose, I don't know when it will come out.
AM : What is the title?
It's called Arnold Drive, it's a person's name, his first name is Arnold and his
second name is Drive like to drive and he is a priest. In England we have the
strange habit in the UK, when nobody is going to a church the people who own the
church sell it and it is converted into flats and apartments. When I tell people
from abroad this they are astounded, they said that would never happen in our country.
I think the only country where it happens is in the UK and so this is what happens to
this priest, he has a little village church in England and people don't come, you know
it's three people every week, so they decide to close it and he has to leave and they
sell it for turning it into apartments. He is in the world, with no job, nothing,
little money they give him and it's what happens to him.
AM : Okay, it's a good story, it seems to be nice to write it.
It's a tragicomedy, a little bit like Charles Dickens.
Yeah, well I've got lots of shows that are going in, I'm doing a tour of America
next February with
Glen Matlock
from the
Sex Pistols, he's got a band called
The Philistines, he's going on first and I'm going on last but it's a double billing,
and we're going to do that in February, March and then in March I'm going to start
making a movie to go with Totem and Taboo, we are going to make a film to go with it,
not like Blueprint, this is ten little films which will be linked together,
so it's more of a fantasy thing. And then we got the acoustic dates before the american
thing and then I'm going to Germany in April, May and then I think Totem and Taboo
will come out, I don't know what will happen after that, who knows ?
AM : You will come to France...
It would be nice to come to France yeah, I have only played Paris the last few years,
I'm always open to invitations if anyone out there wants me to come to France to play,
we are more than happy to come to play but we can't come if we don't get invited!...
I tried to do some acting in some little things. I came very close to getting a
couple of big movie parts but they didn't happen so, you know whatever happens,
happens, maybe someday, maybe not, who knows ?
AM : You can do a movie of your life ?
(Laughing) well I won't play the part of me!
AM : We wish you the best Hugh. Thank you very much for your time.
Thank you for asking me these questions, bye